These Chaukis have their own distinct styles and structures. Presentation of one popular Paurhi is like this:Īs Gurmat Sangeet is the prescribed music tradition of Sikh religion, different Shabad Kirtan Chaukis are being popularized, for example – Aasa di Vaar di Kirtan Chauki, 20 Sodar di Kirtan Chauki, 21 Basant di Kirtan Chauki, Anand Karaj di kirtan Chauki 22 etc. After the presentation of the Paurhi, the table player recites the verse of the Paurhi in Alap 19 in non-rhythmic presentation or composition of music.
15 In the part of Kirtan Chauki, out of the Vaars 16 or folk poetic verses registered in Guru Granth Sahib, the vocal presentation of Paurhi composition in four beats Paurhi taal 17 of Jorhi 18 (Precussion). In this part, the Raaga based recital of the hymn in different classical styles of singing like Dharupad Ang, 13 Partaal 14 and other classical styles, the Shabad is presented in the Rit and Folk music style.Īccording to the technical terminology prescribed by Gurmat Sangeet, Paurhi laona means presentation of the Paurhi. In the third part of the Chauki, after Maglacharan, the vocal presentation of the Hymn takes place. Shabad (Shabad Gayan) or Raga based Singing of the Divine Hymn In this part of the Kirtan Chauki, God Almighty and the Gurus are invoked with the recital of Holy Verses in various Theka (rhythmic patterns) like Ek-taal 10, Chaar-taal 11, Ara Chautaal 12 etc. In Gurmat Sangeet Maglacharan is the second part of Kirtan Chauki, which is sung in Vilambit Laia. In Raga Asa, Shaan has the following form, while played on the Gurmat Sangeet instruments. The significance of this part is that it gives an indication to the audience about the beginning of the Kirtan and the musical atmosphere created by Shaan brings about serenity among the audience. In Gurmat Sangeet, the first part of Shabad Kirtan Chauki 8 in which an instrumental recital of the raga is presented before the vocal presentation of the Shabad, is called Shaan.In this, the instrumentalist displays his artistic skills. Pauhri (Paurhi Laona or Paurhi Gayan) - Singing of the Folk Poetic form from Guru Granth Sahib Shabad (Shabad Gayan) - Raga based Singing of the Divine HymnĤ. Manglacharan - An invocation sung in Vilambit Laia or slow tempoģ. The following are the four parts of Shabad Kirtan Chauki :Ģ. In order to strengthen the significance of Shabad Kirtan in practical life, an organized presentation of Shabad Kirtan in one continuous session has been recognized as ‘Kirtan Chauki.’Īs per the dictionary of Gurmat Sangeet Technical Terminology, published by Punjabi university, Patiala, a complete presentation of Shabad Kirtan is known as Kirtan Chauki. In Sikh tradition, every Hymn singer is bound to follow the prescribed methodology for the presentation of Shabad Kirtan. The Sikh Gurus have defined the prescribed Shabad Kirtan tradition which is evident from the music tenants laid down in Sri Guru Granth Sahib known as elements of ‘ Gurmat Sangeet’ 3 A particular methodology had been devised with the help of symbols and headings like Raag, 4 Rahao, 5 Ank 6 etc for musical composition and presentation of Shabad Kirtan in special singing styles.
#Shabad kirtan with meaning code
Right from the times of Guru Nanak Dev ji, Shabad Kirtan has been an inseparable part of Sikh code of conduct. In Sikh religion, 'Shabad Guru' (Shabad) 1, Sri Guru Granth Sahib is the basic / fundamental source of spiritual knowledge, and Shabad Kirtan 2 is main medium of devotion in the religion.
The Bani or the Divine Word has been recognized as ‘ Shabad Guru’ in the form of Sri Guru Granth Sahib. Learning of Gurmat Sangeet > Shabad Keertan Presentations (Keertan Chaukis)